Fake Blood - All in The Blink - CELLS Album Review by Kat Rolle

Fake Blood - All in The Blink

Fake Blood’s hit track “All in The Blink”, featured on BBC Radio 1 back in November 2012. Off Fake Blood’s album “Cells”. Review of the album by Kat Rolle.

direct link to the review on DrownedInSound.com HERE!

Theo Keating, the once mysterious man behind the Fake Blood alias, has been twisting and mangling beats for almost 20 years now. Across his lengthy back catalogue, from the Wise Guys and the Black Ghosts to his Fake Blood remixes over the last few years, Keating’s certainly demonstrated an ability to change with the times, keeping his music up to date whilst still drawing on the sounds of his past. Cells, his debut album as Fake Blood, is no different.

Four years and four EPs in the making, it’s a hybrid of an album, with techno, house and electro influences all pulsing and throbbing together, united by Cells’ coherency as an album (rather like label mate Vitalic’s OK Cowboy, with its many repeated motifs and call-backs the album resembles an extended mix more than a collection of separate tracks). Undoubtedly, this is intended as an album, to be played uninterrupted and unaltered – a complete change of direction from his previous stand-alone singles and remixes. Beyond their sonic similarities though, the songs are further linked by Keating’s vision, what he’s calling his ‘personal manifesto’; a pervading theme of the sinister, the macabre, and the horrific. A concept album then.

The LP’s central tension is the ongoing contrast between the sinister and the unashamedly euphoric. Hands down, the darker tracks are more successful and more interesting. Whilst it kicks off with the propulsive, insidious ear-worm of first single ‘Yes/No’, which verges on the old days of big beat, the album soon descends into the twitchy and edgy – something Keating’s not exactly new to, having created a soundtrack to Italian horror classic Suspiria live earlier this year.

Most effective is ‘London’, a thoroughly unsettling track, with a jumpy sampled moan twitching underneath an angelic descant, backed up by the inevitable, driving four-to-the-floor. With its sinister, splashy keys and trembling violins, it’s vaudeville electroswing, possibly what an xx Halloween single might sound like. Similarly, ‘Phantom Power’ could be an instrumental Weeknd track, all brooding bass and jittery echoes. Best of all is ‘Let It Go’, where Fake Blood really brings out the bass, building a filthy boom of Justician proportions before flashes of minimalist, menacing synths kick in like strobes. The only missed target amidst the darker tracks is ‘Another World’, where Keating aims for a similar tense vibe but, with squawking synths and an almost Eurohouse sound, ends up with something far less coherent, merely jarring rather than unnerving. Regardless, it’s all exceptionally atmospheric and it’s refreshing to hear electro treading the line between euphoric, anthemic house and the edgier, but accessible, end of techno.

It’s something of a relief then, given the success of Fake Blood’s attempts to freak out his listeners, that the album isn’t unrelentingly dark and weird. With ‘All in the Blink’, his evident enthusiasm for house overcomes the mind-bending techno, resulting in a bouncing beat and light, euphoric synths. As the vocals intone “Forget about how, it’s all about now!”, it’s shamelessly upbeat – it could be a lost Miike Snow track. Tucked away in the darker recesses of the album, it’s a welcome change and an effective surprise. Elsewhere, closing track ‘Contact’ is also much warmer than its taught predecessors, but remains undercut by the nasty synths lurking in the background – something of a gentle let-down from the album’s intenser moments, but reminding you of the darkness unleashed.

Cells is coherent, yet not without the odd welcome respite or a few anomalies. Whilst that structure and coherency are perhaps to be expected from such an experienced DJ, especially on an album that was so long in the making, what’s less anticipated is the absolute lack of nostalgia present and the sheer creativity evident on the record. In the midst of the current all-encompassing bass obsession, it’s refreshing to see something new – and even some of dubstep’s trademark darkness as well – brought to electro. (Credited to “Kat Rolle”)

 

30 Comments

  1. Stinky0tter says:

    This song is fucking catchy

  2. YourFavoriteBigFish says:

    Cowbells FTW!

  3. prospexx says:

    Wicked tune man, thanx for uploading and greetings from Gemany! You made my day !

  4. Shma Shmorshmin says:

    wicked choooon

  5. Caerwyn Williams says:

    nice

  6. MrCcflynn87 says:

    Big ups to Annie Mac!

  7. LoveLullabies says:

    Song is sooo good but can’t stop staring at that damn hand. and it’s freaky as hell.

  8. Ryan Maheno says:

    All in the wink of an eye

  9. TheQTQM says:

    Wicked tuuuunnne

  10. egsigma says:

    ugh is the image really necessary

  11. Hiyab Rehman says:

    I was lost when the song started.Great track

  12. YourFavoriteBigFish says:

    why you care about the picture?

  13. RoloC4 says:

    Why did he dip his hand in BBQ Sauce?

  14. RebootRugratsRupert says:

    Don’t worry everyone, the blood on the hand is fake.

    ha…..aha………..

  15. Shrikalla says:

    this reminds me of soweto house music the beat anyway

  16. ilucenam19 says:

    Good tune

  17. Chronicwaste says:

    Way too catchy

  18. scyke says:

    yea what a total cunt the pic makes sense its FAKE BLOOD FFS herpderp

  19. egsigma says:

    yikes

  20. Jonathan Johnson says:

    come on its only fake blood lol

  21. Tniggz says:

    Cry about it.

  22. egsigma says:

    Geez, people, I’m getting like 10 nasty comments in response to that post; it’s not a big deal

  23. dirtydoggey says:

    soweto house? do you have a link? please share

  24. Richard Martin says:

    Heard this song being played in an exchange store and just had to ask who it was….now I’m hooked! Love the piano, love the beat, love the singing!

  25. Kat Rolle says:

    Thanks for crediting the review! Cheers! x

  26. Pete Griffiths says:

    Don’t worry it’s only ‘fake blood’

  27. isaaclimon58 says:

    The black ghost?

  28. Re△Love∞ution says:

    All in an blink of an eye ?!?… how do I know you ??? I have this song
    somewhere in my playlists !!! :)))))

  29. EDM Nightlife says:

    This is a great song. You mention the “Fair Use” clause for non-profit? You
    are monetizing this video on a YouTube partner account! At this point, your
    statement is not valid.

  30. Max Dornfest says:

    Here’s the lyrics if anyone is looking for them

    Sunshine turns to night
    Horror to delight
    Oh the best things come and go
    All in the blink of an eye

    Red skies turn to blue
    I fell in love with you
    Out of corpses roses bloom
    All in the blink of an eye

    Before we miss it
    Let me kiss you
    We can dream
    And make it come true

    Forget about how
    It’s all about now
    All in the blink of an eye

    Before it’s gone
    Let’s get it on
    Let our hearts beat
    Like a machine gun

    Forget about how
    It’s all about now
    All in the blink of an eye

    (oohhh)

    Sunshine turns to rain
    Ecstasy to pain
    Ph the berst things come and go
    All in the blink of an eye

    Stars turn to black holes
    Diamonds out of coal
    Oh the seeds of our love grow
    All in the blink of an eye

    All in the blink of an eye
    All in the blink of an eye
    All in the blink of an eye
    All in the blink of an eye

    Before we miss it
    Let me kiss you
    We can dream
    And make it come true

    Forget about how
    It’s all about now
    All in the blink of an eye

    Before it’s gone
    Let’s get it on
    Let our hearts beat
    Like a machine gun

    Forget about how
    It’s all about now
    All in the blink of an eye

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